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    A World Not Ours 2017

    Δύο ξύλινα κουτιά φορτίου μέσα σε ένα σύγχρονο κτίριο. Ένα πανό της έκθεσης "A World Not Ours" κρέμεται στη μία πλευρά του τοίχου, στο βάθος.

    Aslan Gaisumov, Household, 2016 (άποψη εγκατάστασης)
    Φωτ.: Sébastien Bozon

    01.06 — 27.08.2017
    La Kunsthalle Mulhouse, Μυλούζ, Γαλλία

    Συμμετέχοντες καλλιτέχνες

    Azra Akšamija
    Taysir Batniji
    Tanja Boukal
    Róza El-Hassan
    Ninar Esber
    Aslan Gaisumov
    Mahdi Fleifel
    Stine Marie Jacobsen
    Sven’t Jolle
    Sallie Latch
    Éléonore De Montesquiout
    Γιώργος Μουτάφης
    Marina Naprushkina
    Juice Rap News
    Somar Sallam
    Diller Scofidio & Renfro, Mark Hansen, Laura Kurgan & Ben Rubin σε συνεργασια με τους Robert Gerard Pietrusko & Stewart Smith, βασισμενο σε μια ιδεα του Paul Virilio
    Mounira Al Solh

    Curator

    Katerina Gregos

    A World Not Ours
    Text by Katerina Gregos

    The exhibition began last summer at the Schwarz Foundation’s Art Space Pythagorion, on the island of Samos, Greece, a location that has been at the heart of the refugee crisis that broke out in 2015. Samos was one of four Greek islands alongside Lesbos, Kos and Chios that bore the brunt of this humanitarian crisis, which remains a pressing, unresolved issue for the whole of Europe. The exhibition aims to counteract the standardised, simplified and one-dimensional portrayal of the refugee crisis, which is often reduced to images of rickety boats and the perilous sea crossings from Turkey and Libya, and instead looks into the before and after of this dramatic moment. While the first chapter of the exhibition focused on the experience of flight, the precariousness of the journey, and the clandestine economy that fuels the plight of the refugees, this iteration at La Kunsthalle Mulhouse will extend its focus to what happens once refugees have reached the ‘promised land’ in terms of reception, legal procedures and daily reality, as well as looking into how European citizens experience the migration crisis themselves.

    A white lace cloth, hand-knitted of highest quality cashmere by Tanja Boukal, bears the libretto of the Europe Anthem framed by barbed wire panels and photographs of migrants wrapped in this luxury plaid.

    The exhibition also explores problems of the representation of suffering, recalling Susan Sontag’s Regarding the Pain of Others (2003), as well as asking questions about the ‘ownership’ of refugee images and who has the right to represent them. Finally, A World Not Ours aims to provide a counterpoint to the unfortunate opportunism that the refugee crisis has engendered, with some in the so-called ‘art world’ professing their engagement by producing facile one-liners and generating publicity for its own sake. By contrast, the work that is on view is the result of in-depth, long-term research, on-the-ground engagement and first-hand experience. The works here are the result of sincere motivation and hands-on engagement, as opposed to what Tirdad Zolghadr has called ‘poornography’: the use of images of poverty and precariousness to create sensational images in the media as well as in art. This exhibition includes artists who opt for a more nuanced way of working with these highly sensitive issues, who stay under the radar, working with discretion, thoughtfulness and generosity. Most of The exhibition 7 La Kunsthalle Mulhouse the artists here have a proximal and intimate relation to trauma and communal experiences of suffering, and do not have the luxury of a detached touristic viewpoint of the pain of others. They are insiders to trauma, rather than outsiders. Many of them come from the Middle East or South-Eastern Europe, from countries that have experienced war, exodus and perilousness first hand, and thus they also bring an empirical element into their negotiation of the complex issues underlying the representation of the refugee crisis. The city of Mulhouse is a particularly relevant context for this exhibition. Mulhouse has one of France’s highest immigrant populations, and is also a border town at the edges of Germany and Switzerland. All three countries have been at the forefront of the heated debate around immigration, and have witnessed extreme reactions towards it, manifested in toxic right wing populism, for example. A World Not Ours borrows its title from the award-winning eponymous 2012 film by director Mahdi Fleifel, which in turn borrows its name from a book by the Palestinian writer Ghassan Kanafani (1936–72). The exhibition includes a group of artists, photographers, filmmakers and activists who offer different reactions, reflections, and analyses on the ongoing issue of the refugee crisis in Europe and the complex issues underlying it: from the economic, social and political, to the humanitarian and the personal. Deploying diverse practices from installation, photography, film, video and direct action, the work of the participating artists provides deeper insight into the plight of the refugees and points to the complex roots of one of the most pressing issues of our time, while contextualising it within the larger global picture.

    Press

    Exhibition Brochure

    • A World Not Ours Mulhouse Catalogue

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    The Schwarz Foundation is a private non-profit foundation whose mission is to promote the exchange between various cultures.AboutArt Space PythagorionSamos Young Artists FestivalSamos Music RoomsGet in contact
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